Inspired by the geometric forms and reductive aesthetics of mid-century corporate identity design, this series explores the logo mark as an abstract visual symbol. Developed through a process of formal exploration and iteration, the one hundred marks exist without the brands or organizations they would typically represent. In doing so, the work examines how meaning is shaped through context, association, and repeated exposure rather than through form alone.
Series of one hundred, 2026, pigment prints on paper, various.